Norse mythology
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Norse mythology, a subset of Germanic mythology, is the overall term for the myths, legends and beliefs about supernatural beings of Norse pagans. It flourished prior to the Christianization of Scandinavia, during the Early Middle Ages, and passed into Nordic folklore, with some aspects surviving to the modern day. The mythology from the Romanticist Viking revival came to be an influence on modern literature and popular culture.
Norse mythology is the study of the myths told in Germanic countries (Germany, The Netherlands, Denmark, Sweden, Norway, Iceland, Faroe Islands) during the pre-Christian times, especially during the Viking Age.
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[edit]Sources
Most of the existing records on Norse mythology date from the 11th to 18th century, having gone through more than two centuries of oral preservation in what was at least officially a Pagan society. At this point scholars started recording it, particularly in the Eddas and the Heimskringla by Snorri Sturluson, who believed that pre-Christian deities trace real historical people. There is also the Danish Gesta Danorum by Saxo Grammaticus, where the Norse gods are more strongly Euhemerized. The Prose or Younger Edda was written in the early 13th century by Snorri Sturluson, who was a leading skáld, chieftain, and diplomat inIceland. It may be thought of primarily as a handbook for aspiring skálds. It contains prose explications of traditional "kennings," or compressed metaphors found in poetry. These prose retellings make the various tales of the Norse gods systematic and coherent.
The Poetic Edda (also known as the Elder Edda) was committed to writing about 50 years after the Prose Edda. It contains 29 long poems, of which 11 deal with the Germanic deities, the rest with legendary heroes like Sigurd the Volsung (the Siegfried of the German version Nibelungenlied). Although scholars think it was transcribed later than the other Edda, the language and poetic forms involved in the tales appear to have been composed centuries earlier than their transcription.
Besides these sources, there are surviving legends in Norse folklore. Some of these can be correlated with legends appearing in other Germanic literature e.g. the tale related in the Anglo-Saxon Battle of Finnsburghand the many allusions to mythological tales in Deor. When several partial references and tellings survive, scholars can deduce the underlying tale. Additionally, there are hundreds of place names in the Nordic countries named after the gods.
A few runic inscriptions, such as the Rök Runestone and the Kvinneby amulet, make references to the mythology. There are also several runestones and image stones that depict scenes from Norse mythology, such as Thor's fishing trip, scenes depicting Sigurd (Sigfried) the dragon slayer, Odin and Sleipnir, Odin being devoured by Fenrir, and one of the surviving stones from the Hunnestad Monument appears to show Hyrrokkin riding to Baldr's funeral (DR 284).
In Denmark, one image stone depicts Loki with curled dandy-like mustaches and lips that are sewn together and the British Gosforth cross shows several mythological images.
[edit]Cosmology
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Main article: Norse cosmology
In Norse mythology there are "nine worlds" (Níu Heimar in Old Norse),[1][2][3] each joined to the other via the "World Tree" Yggdrasil. A list of these worlds can only be deduced from the limited sources given to us in the two eddas. A complete list of the nine worlds is never mentioned entirely, in either of the eddas.
- A summary list of the worlds, with an example reference to where they are mentioned, either in the older Poetic or younger Prose Edda. (in no particular order) -
- Ásgarðr, world of the Æsir. (Poetic[4] and Prose[5])
- Vanaheimr, world of the Vanir. (Poetic[6] and Prose[7])
- Álfheimr, world of the Álfar (Elves). (Poetic[8] and Prose[9])
- Miðgarðr, world of humans. (Poetic[10] and Prose[11])
- Jötunheimr, world of the Jötnar (Giants). (Poetic[12] and Prose[13])
- Niðavellir, world of the Dvergar (Dwarfs). (Poetic[14]) / Svartálfaheimr (Prose[15])
- Múspell, world of fire and the Fire Jötnar. (Poetic[16] and Prose[17]) / Múspellsheimr (Prose[18])
- Niflhel, world of ice and mist, into which the wicked dead are cast. (Poetic[19] and Prose[20]) / Niflheimr (Prose[21])
- Hel, world of the inglorious dead, located within Niflhel[22]/Niflheimr[23] and ruled over by the goddess of the underworld Hel. (Poetic[24] and Prose[25])
Each world also had significant places within. Valhalla is Odin's hall located in Asgard. It was also home of the Einherjar, who were the souls of the greatest warriors. These warriors were selected by the Valkyries. The Einherjar would help defend the gods during Ragnarok.
These worlds are connected by Yggdrasil, the world tree, with Asgard at its top. Chewing at its roots in Niflheim is Nidhogg, a ferocious serpent or dragon. Asgard can be reached by Bifrost, a rainbow bridge guarded by Heimdall, a god who can see and hear for a hundred leagues.[26]
[edit]Supernatural beings
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Numerous beings exist in Norse mythology, including the Æsir and Vanir, two groups of gods, the Jötnar/Jättar (Giants), the Álfar/Alver (Elves) and theDvergar/Dvärgar (Dwarves). The distinction between Æsir and Vanir is relative, for the two are said to have made peace, exchanged hostages and reigned together after the events of the Æsir–Vanir War.
In addition, there are many other beings: Fenrir the gigantic wolf, Jörmungandr the sea-serpent (or "worm") that is coiled around Midgard, and Hel, ruler of Helheim. These three monsters are described as the progeny of Loki. Other creatures include Huginn and Muninn (thought and memory, respectively), the two ravens who keep Odin, the chief god, apprised of what is happening on earth, since he gave an eye to the Well of Mimir in his quest for wisdom, Geri and Freki Odin's two wolves, Sleipnir, Loki's eight legged horse son belonging to Odin and Ratatoskr, the squirrel which scampers in the branches of Yggdrasil.
Main article: List of Norse gods and goddesses
[edit]Völuspá
In the Poetic Edda poem Völuspá ("Prophecy [spá] of the völva"), Odin, the chief god of the Norse pantheon, has conjured up the spirit of a dead völva and commanded this spirit to reveal the past and the future. She is reluctant; she cries, "What do you ask of me? Why tempt me?" Since she is already dead, she shows no fear of Odin, and continually taunts him, "Well, would you know more?" But Odin insists: if he is to fulfill his function as king of the gods, he must possess all knowledge. Once the völva has revealed the secrets of past and future, she falls back into oblivion: "I sink now".
[edit]Abiogenesis and anthropogenesis
According to Norse myth, the beginning of life was fire and ice, with the existence of only two worlds: Muspelheim and Niflheim. When the warm air of Muspelheim hit the cold ice of Niflheim, the jötunn Ymir and the icy cow Auðhumla were created. Ymir's foot bred a son and a man and a woman emerged from his armpits, making Ymir the progenitor of the Jötnar. Whilst Ymir slept, the intense heat from Muspelheim made him sweat, and he sweated out Surtr[citation needed], a jötunn of fire. Later Ýmir woke and drank Auðhumla's milk. Whilst he drank, the cow Audhumbla licked on a salt stone. On the first day after this a man's hair appeared on the stone, on the second day a head and on the third day an entire man emerged from the stone. His name was Búri and with an unknown jötunn female he fathered Borr (Bor), the father of the three gods Odin, Vili and Ve.
When the gods felt strong enough they killed Ymir. His blood flooded the world and drowned all of the jötunn, except two. But jötnar grew again in numbers and soon there were as many as before Ymir's death. Then the gods created seven more worlds using Ymir's flesh for dirt, his blood for the Oceans, rivers and lakes, his bones for stone, his brain as the clouds, his skull for the heaven. Sparks from Muspelheim flew up and became stars.
One day when the gods were walking they found two tree trunks. They transformed them into the shape of humans. Odin gave them life, Vili gave them mind and Ve gave them the ability to hear, see, and speak. The gods named them Askur and Embla and built the kingdom of Middle-earth for them; and, to keep out the jötnar, the gods placed a gigantic fence made of Ymir's eyelashes around Middle-earth.
The völva goes on to describe Yggdrasill and three norns; Urður (Wyrd), Verðandi and Skuld. She then describes the war between the Æsir and Vanir and the murder of Baldur, Óðinn's (Odin) handsome son whom everyone but Loki loved. (The story is that everything in existence promised not to hurt him except mistletoe. Taking advantage of this weakness, Loki made a projectile ofmistletoe and tricked Höður, Óðinn's (Odin) blind son and Baldur's brother, into using it to kill Baldur. Hel said she would revive him if everyone in the nine worlds wept. A female jötunn - Thokk, who may have been Loki in shape-shifted form - did not weep.) After that she turns her attention to the future.
[edit]Ragnarök
Main article: Ragnarök
Ragnarök("Doom of the Gods"), also called Götterdämmerung, means the end of the cosmos in Norse mythology. It will be preceded by Fimbulvetr, the winter of winters. Three such winters will follow each other with no summers in between. Conflicts and feuds will break out, even between families, and all morality will disappear. This is the beginning of the end. The wolf Skoll will finally devour the sun, and his brother Hati will eat the moon, plunging the earth [into] darkness. The stars will vanish from the sky. The cock Fjalar will crow to the giants and the golden cock Gullinkambi will crow to the gods. A third cock will raise the dead. The earth will shudder with earthquakes, and every bond and fetter will burst, freeing the terrible wolf Fenrir. The sea will rear up because Jormungand, the Midgard Serpent, is twisting and writhing in fury as he makes his way toward the land. With every breath, Jormungand will stain the soil and the sky with his poison. The waves caused by the serpent's emerging will set free the ship Naglfar, and with the giant Hymir as their commander, the giants will sail towards the battlefield. From the realm of the dead a second ship will set sail, and this ship carries the inhabitants of hell, with Loki as their helmsman. The fire giants, led by the giant Surt, will leave Muspell in the south to join against the gods. Surt, carrying a sword that blazes like the sun itself, will scorch the earth. Meanwhile, Heimdall will sound his horn, calling the sons of Odin and the heroes to the battlefield. From all the corners of the world, gods, giants, dwarves, demons and elves will ride towards the huge plain of Vigrid ("battle shaker") where the last battle will be fought. Odin will engage Fenrir in battle, and Thor will attack Jormungand. Thor will be victorious, but the serpent's poison will gradually kill the god of thunder. Surt will seek out the swordless Freyr, who will quickly succumb to the giant. The one-handed Tyr will fight the monstrous hound Garm and they will kill each other. Loki and Heimdall, age-old enemies, will meet for a final time, and neither will survive their encounter. The fight between Odin and Fenrir will rage for a long time, but finally Fenrir will seize Odin and swallow him. Odin's son Vidar will at once leap towards the wolf and kill him with his bare hands, ripping the wolf's jaws apart. Then Surt will fling fire in every direction. The nine worlds will burn, and friends and foes alike will perish. The earth will sink into the sea. After the destruction, a new and idyllic world will arise from the sea and will be filled with abundant supplies. Some of the gods will survive, others will be reborn. Wickedness and misery will no longer exist and gods and men will live happily together. The descendants of Lif and Lifthrasir will inhabit this earth.
[edit]Kings and heroes
Main article: Legendary sagas
The mythological literature relates the legends of heroes and kings[citation needed], as well as supernatural creatures. These clan and kingdom founding figures possessed great importance as illustrations of proper action or national origins. The heroic literature may have fulfilled the same function as the national epic in other European literatures, or it may have been more nearly related to tribal identity. Many of the legendary figures probably existed[citation needed], and generations of Scandinavian scholars have tried to extract history from myth in the sagas.
Sometimes the same hero resurfaces in several forms depending on which part of the Germanic world the epics survived such as Weyland/Völundand Siegfried/Sigurd, and probably Beowulf/Bödvar Bjarki. Other notable heroes are Hagbard, Starkad, Ragnar Lodbrok, Sigurd Ring, Ivar Vidfamneand Harald Hildetand. Notable are also the shieldmaidens who were ordinary women who had chosen the path of the warrior. These women function both as heroines and as obstacles to the heroic journey.
[edit]Norse worship
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Main articles: Norse paganism and Blót
[edit]Centres of faith
The Nordic tribes rarely or never had temples in a modern sense. The Blót, the form of worship practiced by the ancient Scandinavian and Germanic people, resembled that of the Celts and Balts. It occurred either in sacred groves, at home, or at a simple altar of piled stones known as a "horgr." However, there seem to have been a few more important centres, such as Skiringssal in Norway, Lejre in Denmark and Uppsala in Sweden. Adam of Bremen claims that there was a temple at Uppsala with three wooden statues of Odin (the chief god), Thor (the god of thunder) and Freyr (the god of love).
[edit]Priests
While a kind of priesthood seems to have existed, it never took on the professional and semi-hereditary character of the Celtic druidical class. This was because the shamanistic tradition was maintained by women, the Völvas. It is often said that the Germanic kingship evolved out of a priestly office. This priestly role of the king was in line with the general role of gothi, who was the head of a kindred group of families (for this social structure, see norse clans), and who administered the sacrifices.[citation needed]
[edit]Human sacrifice
A unique eye-witness account of Germanic human sacrifice survives in Ibn Fadlan's account of a Rus ship burial, where a slave-girl had volunteered to accompany her lord to the next world. More indirect accounts are given by Tacitus, Saxo Grammaticus and Adam von Bremen.
However, the Ibn Fadlan account is actually a burial ritual. Current understanding of Norse mythology suggests an ulterior motive to the slave-girl's 'sacrifice'. It is believed that in Norse mythology a woman who joined the corpse of a man on the funeral pyre would be that man's wife in the next world. For a slave girl to become the wife of a lord was an obvious increase in status. Although both religions are of the Indo-European tradition, the sacrifice described in the Ibn Fadlan account is not to be confused with the practice of Sati.
The Heimskringla tells of Swedish King Aun who sacrificed nine of his sons in an effort to prolong his life until his subjects stopped him from killing his last son Egil. According to Adam of Bremen, the Swedish kings sacrificed male slaves every ninth year during the Yule sacrifices at the Temple at Uppsala. The Swedes had the right not only to elect kings but also to depose them, and both king Domalde and king Olof Trätälja are said to have been sacrificed after years of famine. Odin, also known as all father, hung himself in order to gain his own knowledge, thereby allowing him to know all in the world. A possible practice of Odinic sacrifice by strangling has some archeological support in the existence of bodies such as Tollund Man that perfectly preserved by the acid of the Jutland peatbogs, into which they were cast after having been strangled. However, scholars possess no written accounts that explicitly interpret the cause of these stranglings, which could obviously have other explanations.
[edit]Interactions with Christianity
| This section may stray from the topic of the article. (May 2011) |
See also: Christianization of Scandinavia
An important note in interpreting this mythology is that often the closest accounts that scholars have to "pre-contact" times were written by Christians. The Younger Edda and the Heimskringla were written by Snorri Sturluson in the 13th century, over two hundred years after Iceland becameChristianized. This results in Snorri's works carrying a large amount of Euhemerism.[27]
Virtually all of the saga literature came out of Iceland, a relatively small and remote island, and even in the climate of religious tolerance there, Snorri was guided by an essentially Christian viewpoint. The Heimskringla provides some interesting insights into this issue. Snorri introduces Odin as a mortal warlord in Asia who acquires magical powers, settles in Sweden, and becomes a demi-god following his death. Having undercut Odin's divinity, Snorri then provides the story of a pact of Swedish King Aun with Odin to prolong his life by sacrificing his sons. Later in the Heimskringla, Snorri records in detail how converts to Christianity such as Saint Olaf Haraldsson brutally converted Scandinavians to Christianity.
Trying to avert civil war, the Icelandic parliament voted in Christianity, but for some years tolerated heathenry in the privacy of one's home. Sweden, on the other hand, had a series of civil wars in the 11th century, which ended with the burning of the Temple at Uppsala.[citation needed] In England, Christianization occurred earlier and sporadically, rarely by force. Conversion by coercion was sporadic throughout the areas where Norse gods had been worshipped. However, the conversion did not happen overnight. Christian clergy did their utmost to teach the populace that the Norse gods were demons, but their success was limited and the gods never became evil in the popular mind in most of Scandinavia.
The length of time Christianization took is illustrated by two centrally located examples of Lovön and Bergen. Archaeological studies of graves at the Swedish island of Lovön have shown that the Christianization took 150–200 years, and this was a location close to the kings and bishops. Likewise in the bustling trading town of Bergen, many runic inscriptions have been found from the 13th century, among the Bryggen inscriptions. One of them saysmay Thor receive you, may Odin own you, and a second one is a galdra which says I carve curing runes, I carve salvaging runes, once against the elves, twice against the trolls, thrice against the thurs. The second one also mentions the dangerous Valkyrie Skögul. Another contrast in Norse beliefs is the Gimle, the supposed "high heaven", which is thought to be a Christian addition to Norse mythology, and the Ragnarokk, the "fate" of Æsir gods. This seems to be a Christian addition to the native mythology, since it ends the "reign" of the Æsir gods.
There are few accounts from the 14th to the 18th century, but the clergy, such as Olaus Magnus (1555) wrote about the difficulties of extinguishing the old beliefs. The story related in Þrymskviða appears to have been unusually resilient, like the romantic story of Hagbard and Signy, and versions of both were recorded in the 17th century and as late as the 19th century. In the 19th and early 20th century Swedish folklorists documented what commoners believed, and what surfaced were many surviving traditions of the gods of Norse mythology. However, the traditions were by then far from the cohesive system of Snorri's accounts. Most gods had been forgotten and only the hunting Odin and the jötunn-slaying Thor figure in numerous legends. Freyja is mentioned a few times and Baldr only survives in legends about place names.
Other elements of Norse mythology survived without being perceived as such, especially concerning supernatural beings in Scandinavian folklore. Moreover, the Norse belief in destiny has been very firm until modern times. Since the Christian hell resembled the abode of the dead in Norse mythology one of the names was borrowed from the old faith, Helvíti i.e. Hel's punishment. Many elements of the Yule traditions persevered, such as the Swedish tradition of slaughtering the pig at Christmas (Christmas ham), which originally was part of the sacrifice to Freyr.
[edit]Modern influences
| Day (Old Norse) | Meaning |
|---|---|
| Mánadagr | Moon's day |
| Týsdagr | Tyr's day |
| Óðinsdagr | Odin's day |
| Þórsdagr | Thor's day |
| Frjádagr | Freyja's day |
| Laugardagr | Washing day |
| Sunnudagr/Dróttinsdagr | Sun's day/Lord's day |
The Nordic gods have left numerous traces in modern vocabulary and elements of every day western life in most North Germanic languagespeaking countries. An example of this is some of the names of the days of the week: modelled after the names of the days of the week in Latin(named after Mars, Mercury, Jupiter, Venus, and Saturn), the names for Tuesday through to Friday were replaced with Nordic equivalents of the Roman gods and the names for Monday and Sunday after the Sun and Moon. In Scandinavia, Saturday is called "Lørdag", the "Bath Day", in English and Dutch, "Saturn" was not replaced, while in German, Saturday was renamed after the definition of Sabbath (meaning the day of rest).
| Day | Swedish | Danish/Norwegian | German | Dutch | Origin |
|---|---|---|---|---|---|
| Monday | Måndag | Mandag | Montag | Maandag | Day of the Moon |
| Tuesday | Tisdag | Tirsdag | Dienstag | Dinsdag | Day of Tyr (Swedish and Norwegian), day of the thing (assembly) (Dutch and German) |
| Wednesday | Onsdag | Onsdag | Mittwoch | Woensdag | Day of Odin (Woden or Wotan), middle of week (German) |
| Thursday | Torsdag | Torsdag | Donnerstag | Donderdag | Day of Thor/Donar or thunder (both words derive from the same root) |
| Friday | Fredag | Fredag | Freitag | Vrijdag | Day of Freyja or Frigg |
| Saturday | Lördag | Lørdag | Samstag | Zaterdag | Day of Saturn (English and Dutch), day of bath (Swedish and Danish),Sabbath (German) |
| Sunday | Söndag | Søndag | Sonntag | Zondag | Day of the Sun |
[edit]Viking revival
Main article: Viking revival
Early modern editions of Old Norse literature begins in the 16th century, e.g. Historia de gentibus septentrionalibus (Olaus Magnus, 1555) and the first edition of the 13th century Gesta Danorum (Saxo Grammaticus), in 1514. The pace of publication increased during the 17th century with Latin translations of the Edda (notably Peder Resen's Edda Islandorum of 1665). The renewed interest of Romanticism in the Old North had political implications and the Geatish Society, of which poet and historian Erik Gustaf Geijer was a founder-member, popularized this myth to a great extent.[28]
A focus for early British enthusiasts was George Hicke, who published a Linguarum vett. septentrionalium thesaurus in 1703–5. In the 1780s, Denmarkoffered to cede Iceland to Britain in exchange for Crab Island[disambiguation needed] (West Indies), and in the 1860s Iceland was considered as a compensation for British support of Denmark in the Slesvig-Holstein conflicts. During this time, British interest and enthusiasm for Iceland and Nordic culture grew dramatically.
[edit]Germanic Neopaganism
Main article: Germanic Neopaganism
Romanticist interest in the Old North gave rise to Germanic mysticism involving various schemes of occultist "Runology", notably following Guido von List and his Das Geheimnis der Runen (1908) in the early 20th century.
Since the 1970s, there have been revivals of the old Germanic religion as Germanic Neopaganism (Ásatrú) in both Europe and the United States.
[edit]Modern popular culture
Main article: Norse mythology in popular culture
Norse mythology influenced Richard Wagner's use of literary themes from it to compose the four operas that make up Der Ring des Nibelungen (The Ring of the Nibelung).
The Viking metal music genre focuses on Viking age and Norse Mythology as inspiration for lyrics. Examples include Bathory, Falkenbach, among others. A broader definition of "viking metal" may also include Viking-themed or norse-themed Folk metal (Turisas, Ensiferum, Finntroll, Týr), Doom metal (Doomsword), and Death metal (Amon Amarth).
Subsequently, J. R. R. Tolkien's writings, especially The Silmarillion, were heavily influenced by the indigenous beliefs of the pre-Christian Northern Europeans. As his related novel The Lord of the Rings became popular, elements of its fantasy world moved steadily into popular perceptions of the fantasy genre. In many fantasy novels today can be found such Norse creatures as elves,dwarves, and frost jötnar.
Another prominent appearance of Norse mythology in popular culture is in the Marvel Universe. In the Marvel Universe, the Norse Pantheon and related elements play a prominent part, especiallyThor who has been one of the longest running superheroes for the company. The Asgardians are interpreted as not being gods in a literal sense, but their godlike powers are of supernatural origin. This reinvention of the Norse deities has been featured in the Marvel Cinematic Universe film franchise and is the plot focus of the 2011 film Thor and elaborated in the 2012 crossover film The Avengers, and is yet to be explored further in the 2013 sequel Thor: The Dark World.
There is also a video game series entitled The Elder Scrolls where one of the playable characters is a Norse-like race named the Nords who live in the northern province of Tamriel, Skyrim (Also the name of the fifth game in the series). The gameworld does include Giants, Elves, and a few ice age creatures. The game includes folklore & anthropology similar to that of the real pre-Christian Norse. For instance, what would be Valhalla is called Sovngarde. Architecture of the Skyrim Nords is also heavily influenced by actual Norse architecture.
The video game Max Payne contains many allusions to Norse mythology, particularly the myth of Ragnarök. Most of the elements in the game are named for figures from Norse mythology.
The fantasy novels Runemarks and Runelight, by Chocolat author Joanne Harris, are strongly influenced by Norse mythology and tell the story of surviving Norse gods in a world post-Ragnarok.
[edit]See also
Spelling of names in Norse mythology often varies depending on the nationality of the source material. For more information see Old Norse orthography.
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